Horizontal
5.99:1 · min 116px wide
The primary lockup. Use it wherever there is room — the footer, share cards, print.
Marginalia
Everything footnote.cafe is built from — the logo set, the palette, the type, the ornament, and the way it speaks. This page is generated from the same tokens the site renders with, so it cannot drift from what ships.
A footnote is where a text steps aside to say one more thing. That aside is the whole premise of the site, and it is also the logo.
The wordmark sets footnote in ink and hangs .cafe above it in gold, at the size and height of a reference marker. The domain is not a suffix bolted on — it is a footnote to the word “footnote”.
The monogram does the same thing in miniature: an f with a raised c tucked under its hook. It reads as a letter that has been annotated.
The same gesture appears in the product: reference markers in essays use this gold and this raised position. The logo is the typographic system, compressed.
Four lockups. All are drawn from one 20px grid, so a mark and a wordmark set at the same size stay in proportion.
5.99:1 · min 116px wide
The primary lockup. Use it wherever there is room — the footer, share cards, print.
5.76:1 · min 90px wide
The name alone. Used in the site header, where the monogram would compete with the navigation.
0.81:1 · min 20px wide
The f with its raised reference. Favicons, avatars, loading states, and anywhere the name is already present.
2.19:1 · min 76px wide
For square and vertical spaces: covers, title pages, and the centre of a splash.
The monogram optically centred in a rounded square. On parchment it switches to Gold Deep, which holds its own against a light field.
The lockups are outlined from Cormorant Garamond Medium, then frozen. Nothing here depends on a webfont loading.
The lockups are artwork. Scale them, recolour them between the supplied themes, and otherwise leave them alone.
The accent is gold. The word is ink or parchment. Nothing else.
Scale uniformly. The proportions are the logo.
The wordmark is outlined artwork, not live text in a similar face.
No shadows, strokes, bevels, or gradients.
Keep half the lockup’s height clear on every side.
Gold on a warm mid-tone disappears. Use the mono lockups instead.
Warm neutrals doing the work, with one gold used sparingly. Select any value to copy it.
Paper and ink. Every page starts on parchment; every word is set in ink.
Page background. The default canvas everywhere except the reader.
on ink16.72:1AAA
Headings and body copy. Never pure black — it is warm, like print.
on parchment16.72:1AAA
Secondary prose, long passages where full ink would feel heavy.
on parchment8.84:1AAAon ink1.89:1fails AA
Captions, metadata, timestamps. Large text only — it does not clear AA at body size.
on parchment3.41:1AA Largeon ink4.90:1AA
Rules, borders, dividers. The ruled line of a notebook margin.
on parchment1.20:1fails AAon ink13.98:1AAA
Dark surfaces — footers, inverted panels, the icon field.
on parchment13.88:1AAAon ink1.20:1fails AA
The accent — gilt lettering on a spine. Gold marks brand moments, not sentences.
The logo accent, ornaments, and hairline rules. Decorative only on light backgrounds.
on parchment2.27:1fails AAon ink7.37:1AAA
Hover states and gradients on dark surfaces.
on parchment1.80:1fails AAon ink9.30:1AAA
The readable gold. Links, footnote markers, and any gold that carries meaning as text.
on parchment4.80:1AAon ink3.48:1AA Large
The book surface. Warmer and dimmer than the site, so the page recedes and the text advances.
The desk the book rests on.
on parchment1.20:1fails AAon ink13.98:1AAA
Verso page in the two-page spread.
on parchment1.04:1fails AAon ink17.44:1AAA
Recto page — a shade warmer, as a real gutter shadow would make it.
on parchment1.03:1fails AAon ink17.14:1AAA
Author-assigned moods that colour a piece’s book cover. Never auto-detected.
Warm, affirming, personal.
on parchment2.10:1fails AAon ink7.96:1AAA
Argumentative, in tension, working something out.
on parchment3.30:1AA Largeon ink5.07:1AA
Quiet, unresolved, meditative.
on parchment3.01:1AA Largeon ink5.56:1AA
Subject colours for the threads that run between pieces. Used as accents on cards and filters.
Shares its value with Gold Deep.
on parchment4.80:1AAon ink3.48:1AA Large
Systems, efficiency, tradeoffs.
on parchment3.81:1AA Largeon ink4.39:1AA Large
Structure, shape, relation.
on parchment7.03:1AAAon ink2.38:1fails AA
Probability, doubt, the unresolved.
on parchment5.27:1AAon ink3.17:1AA Large
Gold is a decorative colour on light surfaces — it does not clear WCAG AA as body text, and it is not asked to. Gold Deep is the readable one.
| Foreground | on Parchment | on Ink | on Reader |
|---|---|---|---|
| Ink | 16.72:1 AAA | — | 13.98:1 AAA |
| Ink Light | 8.84:1 AAA | 1.89:1 fails | 7.39:1 AAA |
| Ink Muted | 3.41:1 AA Large | 4.90:1 AA | 2.85:1 fails |
| Gold | 2.27:1 fails | 7.37:1 AAA | 1.90:1 fails |
| Gold Soft | 1.80:1 fails | 9.30:1 AAA | 1.50:1 fails |
| Gold Deep | 4.80:1 AA | 3.48:1 AA Large | 4.01:1 AA Large |
| Parchment | — | 16.72:1 AAA | 1.20:1 fails |
Use Gold for the logo accent, ornaments, and hairline rules — marks that carry no information on their own. The moment gold has to be read — a link, a footnote marker, a label — switch to Gold Deep, which clears AA on parchment at 4.80:1. On the reader’s warmer background, Gold Deep only clears large text, so keep it to headings and markers there.
Two Garamonds. One for display, one for reading — the difference is stroke contrast, and it matters most at small sizes.
Aa
High-contrast Garamond revival. Sets the logo, all headings, and pull quotes. Its extreme thin strokes need size — never below 16px.
Aa
A sturdier Garamond for reading at length. Everything that is not a heading.
The margin is the point
Page titles. One per page.
The margin is the point
Section openers.
The margin is the point
Subsections and card titles.
The margin is the point
Inline headings, list leads.
The margin is the point
Running prose. The size everything else is judged against.
The margin is the point
Metadata, footnotes, figure captions.
The margin is the point
Eyebrows and small caps. Letterspaced, uppercase.
Printer’s marks, used at the joins. They are decorative and hidden from assistive technology.
Section breaks in prose.
hedera
Numbered divisions.
section
A pause between movements.
flourish
A hedera between two hairlines.
divider
A doubling scale from 4px. Generous margins are part of the argument the site is making.
Panels are frosted glass over parchment — the look of a page seen through vellum.
.glass-light — 12px blur over parchment.
.glass-dark — the same blur on ink.
The site is a reading room. The writing should sound like one.
Never borrow the vocabulary of engagement. No “content”, no “users”, no “posts”. There are pieces, readers, and a shelf.
Footnotes, asides, and digressions are features. Copy should invite the reader sideways, not push them forward.
Understatement reads as confidence. Skip exclamation marks, growth-speak, and urgency.
Colophon, commonplace, marginalia, verso. Use the printer’s vocabulary when it is the accurate one.
piece, reader, shelf, thread, archive, colophon
content, user, post, feed, engage, drop
Every lockup in four themes, plus the app icons. SVG only — they scale to any size you need.
Files live under /brand/. Each lockup ships as light, dark, mono-ink, and mono-parchment. Download links sit with each lockup in the logo set.